True to the MusicTMProduct Guide
500 SERIES“From tracking to overdubs to mixing, the Radial X-Amp is used at every step along the way. I count on Radial for great sound.” ~ Mike Butle
500 SERIESCombination effects insert and routing mod-ule that enables you to bring playback tracks, effects and other non-Radial modules into the Work
STUDIO“I use my 3 EXTC’s on every recording and mix I do. They are perfect for interfacing low level gear such as pedals.” ~ Vance Powell White Strip
STUDIO“Compared to a digital delay and the Phazer wins hands down for sounding more natural and musical.” ~ Paul Ramsey FOH - The Who, Annie Lennox,
STUDIO“Gold Digger is a must-have when I’m shooting out vocal mics. ” ~ George Seara Engineer - Rihanna, Drake, Holly Cole, Sting, Herbie HancockImpr
STUDIO“Radial builds DIs exactly how I would do it. Real quality and they sound great. I love them!” ~ Bruce Swedien Quincy Jones, Michael Jackson, J
“The Firefl y has changed my life!! My rig is complete now thanks to Radial!” ~ Nathan East Eric Clapton, Stevie Wonder, Michael Bublé, UsherCombines
“When I forgot to bring my Radial JDV to a session, my engineer made me go back home to get it! That’s how good it is.” ~ Marcus Miller Miles Davis,
“My bass comes through clean, quiet, and with a smooth transparent low end. I use my Radial DI for everything.” ~ Tony Levin Peter Gabriel, King Crim
“Radial direct boxes make everything I put through them warm, punchy and clear. They are great DIs!” ~ Chick Corea Electrik Band, Miles Davis, Return
500 SERIES“The Workhorse is absolutely fantastic. The ability to quickly sum mic pres in the analog world really is priceless.”~ Kevin Churko Enginee
• Linear from 10Hz to 40kHz • Ultra low distortion - won’t choke when driven hard • Built tough for touring – sounds great for studio“I love my Radial
“Whether I am playing live or recording in the studio, the Radial PZ-DI makes my bass sound as fresh as a daisy!” ~ Ron Carter Miles Davis, Herbie Ha
“The JDX captures my sound with previously unobtainable control and clarity. Awesome! Radial gear rules.” ~ Kerry King Slayer• Reactive load for most
“Sonically Radial DIs are superb and the build quality has proven to stand up to the road. I love my Radial gear” ~ Kevin McCarthy Linkin Park, Kid R
“I fi nally get clean CD quality and do not cringe at the noise levels. The JPC is great!” ~ Joel Lonky FOH - Rob Zombie, The Goo Goo Dolls, Diddy, Bi
“Everyone at The Atrium recording studio loves all the Radial gear, and we have a bunch of it!!! F...in’ huge!!!” ~ Tommy Lee Mötley Crüe• Two discre
“I always use the Radial ProD2 stereo DI. I love that thing! I’ve done shoot-outs and it always turns out to be the cleanest and fattest sounding.” ~
Designed to improve on-stage effi ciency, the StageDirect incorporates a handy mute switch that enables the artist to mute the signal when tuning or ch
STAGEBUG“With Radial, my violin sound is real, rich in harmonics, with a pres-ence and tightness that reminds me of analog equipment.” ~ Jean-Luc Pont
STAGEBUG“Fans don’t care about the technology... so long as the bass and guitars make Godzilla weep and hide like a beaten puppy. The JDX works!” ~ Do
500 SERIES“The Workhorse sounds transparent and open, is simple to integrate, and even easier to use.”~ Joe Chiccarelli Bon Jovi, Frank Zappa, Tori A
The Radial SB-48 is a high performance phantom power generator that employs a non-radiating charge pump circuit to create a stable 48 volt supply for
“The Radial ProRMP Reamp is useful when taking a second approach to my tone on a record. Strong, clean signal with great tone quality!” ~ Clint Black
“The X-Amp solved my Reamping issues in one fell swoop. Re-recording guitars has never been easier. I am a believer!” ~ Robert Navarro NFL, Oprah, Ji
The Radial Reamp® JCR is John Cuniberti’s original Reamp®design packaged in a ‘Radial tough’ 14 gauge steel enclosure. All the original components are
“The Radial JD7 is by far the fi nest guitar distro and Reamp I have ever come across. It is an indispensable studio tool for me.” ~ Steve Vai Guitar
• 6 ins, 2 outs guitar & amp selector• Optional AB remote footswitch• Built-in Radial DIs on chan. 5 & 6Designed for concert touring, the JX62
“After inserting the SGI’s, we heard those words all engineers long for...’Hey, that sounds better’. These devices are outstanding.” ~ Joe Nichols So
INTERFACESPassive stereo converter with level control employs a premium Jensen™ transformer for optimal signal transfer to minimize distortion and art
INTERFACESStereo line driver boosts consumer level unbalanced -10dB signals to +4dB balanced line level for broadcast, recording studios and live tour
INTERFACESThis 1-in, 2-out balanced audio switcher is designed to route the output of a wireless microphone to two different audio inputs and remotely
500 SERIES“The PowerHouse is exactly what it needs to be, a bulletproof hous-ing for all of my 500 series modules.” ~ Andrew Scheps Engineer - Red Ho
INTERFACES“Pristine audio clarity with silky highs and a punchy low end makes Radial a no-brainer for me when it comes time to choose a DI.” ~ Steve S
“My bass comes through clean, quiet, and with a smooth transparent low end. I use my Radial DI for everything.” ~ Tony Levin Peter Gabriel, King Crim
INTERFACESBacking tracks are standard practice in large scale touring. This gives the audience the experience they expect without the high cost of tra
“Once you hear the difference between a Radial DI and the others, you’ll never go back.” ~ Terry Lawless Keyboards and Programming - U2INTERFACESDesi
The DM1 is a dynamic microphone signal switcher that allows you to redirect the mic signal from the main PA to the intercom or in-ear monitors for di
“The Radial BigShot is great! I use it to switch between wire-less and direct. Radial gear is the best.” ~ Buddy Guy Legendary Blues GuitaristTrue-by
“Nothing sounds like the Tonebone Trimode. It has become an incredible asset to my sound.” ~ Steve Lukather TotoIt’s like having two Tonebone Classic
“The Hot British gives me many different ‘degrees’ of warmth and distortion that I need for rhythm metal guitar playing. It is amazing.” ~ Jeff Waters
“The London just plain kicks ass! You get massive creamy distortion, crunch and in bypass mode you’re back to your pure amp tone!” ~ Jeff Bihlman Bih
“I am loving the TEXAS OVERDRIVE ! It’s the smoothest overdrive pedal I have ever tried. It works great for solos!” ~ Wolf Hoffmann Accept• Old schoo
500 SERIES“PowerStrip is a great tool! Three channels with link switch makes it easy and fl exible. I love this box.” ~ Joe Barresi Tool, Chevelle, So
“Thank God I found it. I only wish I had it years ago… I love my Headbone!”~ Mark Tremonti Alter Bridge, CreedSwitch between two speaker cabinets wit
“The Switchbone is the best ABY splitter I’ve ever used. Completely silent and essential if you don’t want to weaken your tone.”~ Mark Ribot Elvis Co
“Distortion pedals sound like a novelty effect and detract from the qualities of a great amp. The Elevator makes distortion pedals obsolete.” ~ G.E. S
“The Elevator is a pedal that successfully achieves what others could not: It boosts without changing your tone. Look no further… this is it.”~ Jerry
• Bass preamp for 1 or 2 basses• Built-in Radial direct box • Power boost and effects loop“The Bassbone works great in the studio or on the live stage
“Mother of God!! What a frickin awesome pedal... what a killer overdrive sound... Great job Radial!“~ Mark King Level 42The Bassbone OD is a bass pre
“The Radial PZ-Pre is an absolute life saver. It allows us to produce a quality acoustic show like never before.”~ Keb’ Mo’ Grammy-winning Roots and
“Radial PZ-Pre is just amazing! It sounds killer and is super easy to use. This is the very best acoustic preamp I have found so far!”~ Antoine Dufour
“I use a very high gain, dual amp setup and the LAST thing I need is more noise. The Twin-City keeps things responsive AND quiet.”~ Willie Adler Lamb
“Radial DI boxes sound exactly like they’re supposed to with no additional colour, hum or buzz.” ~ Serj Tankian System of a DownThe Radial Headload l
500 SERIESClass-A preamp with zero negative feed-back input delivers absolute purity of the instrument. Variable low-cut fi lter lets you adjust the c
Radial Engineering Ltd. 1588 Kebet Way, Port Coquitlam BC Canada V3C 5M5Copyright© Radial Engineering Ltd. All rights reserved. Specifi cations and
500 SERIES“It is nice to fi nd great sounding industrial grade equipment still being made today!” ~ Daniel Lanois U2, Robbie Robertson, Bob Dylan, Pet
500 SERIES“These Radial preamps just absolutely kill... they are pristine and I love the options of being able to have the versatility. Breathtaking.”
500 SERIES“The EXTC is the ultimate interface for mixing musician’s gear with the professional recording world.” ~ Ryan Hewitt Red Hot Chili Peppers,
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